“It feels wrong,” adds Mark Powers, who edits the X-Men comic books. “I don’t mind the virus mutating at some point,” Harras tells Claremont, “but turning humans into mutants is a bad idea.” “It’s like The Andromeda Strain.”įranco isn’t buying this, and Harras, the only man in the room wearing a tie, intervenes from behind his desk. “The disease has mutated,” Claremont says. But in nonmutants, it grafts the X-gene onto them and triggers it.” “The thing about the Legacy virus is that it will leave mutants alone. “You saying everybody in the town has an X-factor?” Pete Franco, a spiky-haired assistant editor in his twenties, gnaws at a toothpick. They’re waiting for him to wring another plotline out of Stryfe, a villain that has menaced the X-Men before.Ī merry Falstaff in stretch-waist khakis and boat shoes, Claremont, 49, raises a chubby finger and continues: “But nobody knows how to use them.” “Once the disease activates,” says Chris Claremont, a fiendish grin dancing across his face, “let’s say we find an isolated town and – boom! – everybody instantly has powers.” Eagerly rocking forward in a beat-up old swivel chair, the writer of the X-Men comics looks across the office of Marvel Comics editor-in-chief Bob Harras, where two colleagues sit at attention under a cardboard blowup of Captain America.
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